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Woodcarving
Tools, Materials & Equipment - Volume 2
by Chris Pye Softcover
210 x 275mm 175pp Published
by Guild of Master Craftsman Publications Ltd, East Sussex UK R.R.P.$39.90 ISBN
1-86108-202-9 Add
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This book was
originally in one 356pp volume. The new revised edition has now been split into
2 volumes. The review below is of the single edition version. The contents below
is for the new Volume 2. As
reviewed in The Australian Woodworker Issue 64 There
have been a number of new book titles on woodcarving recently and virtually all
of them concentrate on woodcarving technique and project ideas. Woodcarving
Tools, Materials & Equipment is, however, a very different publication,
with over 250 pages on woodcarving tools alone plus another 35 on devices and
aids and 40 pages on wood selection. If you have an interest in woodcarving and
feel that you should know more about the basics of tools and timber for carving
work, then Woodcarving Tools, Materials & Equipment should be fascinating
reading and an essential reference. The
section on woodcarving tools begins with a short history and follows on with the
development of the Sheffield List, the design and manufacture of a quality carving
tool, assessment and correction of faults, function of different styles, care
and maintenance, sharpening, selection of mallets, files, knives and other items,
and modification of tools for specific applications. Each subject is covered in
great detail, yet the text never becomes too technical or uninteresting for the
hobbyist carver. The use of appropriate photographs and clear line sketches on
almost every page ensures that the reader clearly understands the concepts outlined.
In
the chapter on holding devices, there is a survey of the types of store-bought
holding devices and other aids available, and also some interesting ideas for
homemade items and alternative holding methods. The
last major section deals with the general criteria for the selection of wood for
carving. After a quick mention of how wood grows, is cut and then seasoned, there
is specific information on warping, splitting, knots, shakes, grain direction,
figure, glue-up, durability, decay and pests. A short survey of finishes available
completes the book. Woodcarving
Tools, Materials & Equipment is highly recommended as an extensive treatise
on the selection and use of woodcarving tools. Photos:
Colour Contents Acknowledgments
Health and safety Foreword to the first edition Foreword to the
new edition Part
I: The Workshop and its Equipment Aims of Part 1 Accessory Tools:
Mallets Shapes Materials Size and weight Making a mallet
Using the mallet Care Abrading tools: Rasps Files Rifflers
Microplanes Tungsten carbide Using abrading tools Care Sanders
and power files Sandpaper Carpentry
tools: Handsaws Planes Spokeshaves Hand routers Other
tools Specialized edge tools: Knives Adzes Scorps Punches
and frosters Scratch stocks and scrapers Marking-out equipment
Power Tools and Machinery:
General workshop tools Bandsaws
Scrollsaws Disc and belt sanders Routers Portable power carving
tools Angle-grinder cutting discs High-speed flexible-shaft machines
Hand-held high-speed motor units Reciprocal carvers or power chisels
Modifying Tools Why modify tools? The possibilities
Basic procedures Cold procedures Hot procedures Hardening, tempering
and annealing Quenching Equipment Heat source Vice Anvil
General tools Bench grinder Safety Overview of the hot shaping
process Bending Forging Some examples of tool modifications
Cold shaping Skew chisel Skewed fishtail chisel Hot shaping
Knuckle gouge Backbent V-tool Small V-tool Summary Holding
Devices The workbench Height Strength and weighting Proportions
Fittings Alternatives Construction notes Bench discipline
Individual holding devices Fundamentals Holding panels Holding
work in the round Holding turned work Summary The Workplace
Features of a workplace Position of the bench Flooring Lighting
Tool and equipment storage Heating Wood storage Cleaning
Beginner's syndrome Safety in the workplace First-aid box Part
2: Preparing to Carve Understanding Wood How trees grow
Hardwoods and softwoods Wood as a material Conversion Seasoning
Movement Defects Decay Woodworm Storage Qualities
of wood Grain Hardness Figure Texture Durability
Suitability of design and material Choice of wood Sources of wood
'Free' wood Buying wood Gluing up Fundamentals Types of joint
Basic procedures Summary 7 FINISHING Finishing Reasons
for finishing Protecting Sealing Enhancing Some simple finishes
Shellac Oil Waxes Colour Water-based stains Oil-based
stains Spirit-based stains Fuming Safety Research
and Design Research Drawing Why draw? Materials Getting
started Types of drawing Photographs The 'morgue' Plaster
casts Clay modelling Why model? Clay Buying and storing clay
Alternatives to clay Tools and equipment Basic modelling How
to use the model Transferring work to the solid Some Parting Cuts
A Glossary of Woodcarving Terms Photographic credits Metric conversion
tables About the author Index
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